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“Symbols in Aboriginal art are used as a means of communication for people, and for documenting histories, Country boundaries, ceremonies and food sources,” says Anglicare Cultural Support Worker and Kuku Yalanji artist Lalania Tusa, while inviting readers to join her in a dot painting workshop at a festival at St Francis College in October
Features
“While starting to think about writing this article, the most wonderful thing happened. I was packing up my paperwork, as I am moving house, and to my surprise, I found a letter from the Secretary of the Queensland NAIDOC Week committee asking me to be a judge for the 1976 Miss NAIDOC competition,” says Quandamooka and Bundjalung Elder Aunty Sandra King OAM, while also telling us about continuing NAIDOC Week events planned for early September
“My traditional ‘Country’ is nestled in the tropical rainforest of Far North Queensland on Kuku Yalanji land that will always be a part of me. When we speak of ‘Country’, this not only includes the land, but the sea, reef beds, riverways, sky, mountain ranges, animals, plants and people, and so on,” says Kuku Yalanji Traditional Owner and Anglicare Cultural Support Worker, Lalania Tusa
“I am often asked to yarn with young school students – facilitating yarning is an important role of a First Nations educator…Everything I know is from yarning, listening and learning from my family and Elders,” says Aunty Sandra King OAM
“If you’ve ever used a woven flax basket, you’ll know how incredibly strong they are. A strand on its own has no real power, but woven, each strand’s power lies in its connection to the others,” says St John’s Cathedral community member Jane Francis on Maori raranga (‘the art of weaving’)
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